It’s been three years since Haymaker’s last album Beyond the Break
was released. Death, divorce, and the complexities of life took the band
away from making music. But with their aptly named upcoming release
NOW NOW NOW, we find the band coming into their time and moment.
Working
with producer Ed Tree, the 12-song disc is the best realization of the
Haymaker sound—taught, high-energy, country-influenced rock. While
their 1st release, Music from Ed’s House, and then Beyond the Break had
more outside players and instrumentation, NOW NOW NOW is a bit more
stripped down musically with its four members forming the core group.
Always at the helm are the band’s two lead vocalists and writers, J.W.
Surge (vocals/guitar) and Mike Jacoby (vocals/lead guitar/mandolin),
while David Serby plays bass and provides backing vocals and former
Hacienda Brother, Dale Daniel, supplies drums and percussion. Ed Tree
(guitarist for the Spencer Davis Group and Rita Coolidge, as well as
being a producer) adds to the record, playing Hammond B3, Wurlitzer and
Farfisa.
The album kicks off with the song, “Different Girl,” a
duet with harmonies and lyrics lamenting about a girl who is much
happier when she’s not with her boyfriend. “It’s a universal theme.”
cracks J.W. Throughout the record is the theme of transition, searching
for life’s meaning as you get older and for finding the grace in the
gift of new beginnings. “Stomp the Gas” is a rock-roadhouse number with
the lesson of moving ahead in life vs. staying stagnant: “You better
fast figure out something better to do, cuz hanging around ain’t working
for you.” “Note to Self” is a track that has the sound of a
heartland-rock song ala Tom Petty, with an emphasis on guitar and the
authentic notes of the chorus singing: “Bet that weighs you down, boy,
bet that weighs you down”. “You’re Really Good” has a jangly pop feel
as Surge laments a relationship that has lost its meaning, but is still
hard to leave: “I asked for a kiss and you ask ‘why?’—You’re really
good at making me feel bad”.
Operating outside of the music industry, Haymaker see
themselves as a workingman’s band. “It’s like that old Del Fuego’s beer
commercial,” quotes Mike. “Rock and roll is folk music; that’s because
it’s for folks.” PopMatters declared the band as the antithesis to the
“Hollywood Nashville tastes,” while the Orange County Register added,
“Blending alt-country and power pop well isn’t easy, but listeners need
not worry about how Haymaker mastered that seemingly impossible feat.”
Claiming they are not authentic country guys because of
their rock influences (The Stones, The Replacements and Wilco, among
others), their philosophy bears comparisons to the Outlaw music of
Willie Nelson and Merle Haggard. “Honestly, we don’t think about it
that much, “ explains J.W. “We do what we do. We write songs and record
them and play them for people in bars. We see it as the highest
calling – entertaining people in a bar when they’re blowing off steam
from a hard week at work. We take that responsibility seriously and do
our best to give them full-frontal Haymaker.”
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