Shane Alexander has shaped a distinctive career for himself starting
with his debut album, The Middle Way, in 2005. Touring the US and 11
other countries both as a headliner, and supporting acts such as Bon
Iver, Jewel, John Hiatt, Suzanne Vega, Seal Styx and Yes, the fiercely
independent and hardworking artist has developed a loyal international
fan base, has had his work appear in over 100 television shows and
films, and recently had a solo acoustic track, “Skyway Drive-In” (from
2013’s Ladera) cross over 6.5 million streams on Spotify.
Since
his debut, Alexander’s last 4 records were produced with Billy Mohler
(Grammy Nominated writer, producer, and multi-instrumentalist). Bliss,
his 6th full-length studio record, and first self-production, was
recroded at his new Buddhaland Studios located in Ventura County, CA.
“It was an amazing experience to be at the helm in my own studio, at
long last,” said Alexander, “there are many first takes on this record,
which led to the songs feeling organic and honest.”
Bliss is a
timeless tribute to both the artist's classic rock influences and more
recent contemporaries such as Jonathan Wilson, Ryan Adams and Conor
Oberst. Alexander’s crystalline tenor and deft acoustic guitar are at
the heart of all the tracks. The folk-light opener 'Evergreen' blends
Paul Simon and Ram-era McCartney in its fingerpicked cadence and vivid
lyrical imagery. "Something Real Never Dies" which calls to mind 80's
bands like The Church and The Cure, is a dreamy pop rocker about lost
loves that 'circle around you again and again.' The ultra-dark "I Will
Die Alone" sounds like a forgotten gem, unearthed in a time capsule from
the early 60's, with a Ricky Nelson-meets-Morricone vibe that you'll
just want to put on repeat. "Heart of California" is a sun-soaked ode to
all things west coast, with its driving Wilco/Petty energy, and the
gorgeous lapsteel, courtesy of Ojai mainstay Jesse Siebenberg, who was
also featured on Ladera, as well as many tracks on the new album.
Also
returning from Ladera, is keyboardist Peter Adams, whose sonic
explorations have graced records for Josh Groban, Tears for Fears, Ricki
Lee Jones, Macy Gray and countless others. Bassist Vic Ruiz and
drummer Josh Grolemund, also from Alexander's live band appear, as well
as vocalists Justine Bennett, Jamie Drake and Sarah Pigion whose lush
harmony vocals on ‘Heart of California’, ‘Hold Me Helpess’ and the title
track add to the 70’s palette considerably. Aaron Sterling (John
Mayer, The Civil Wars, Taylor Swift) returning from 2010’s Mono Solo,
also provides drums and percussion to three tracks on Bliss.
For
all of the heartache and lessons learned on the album, the closing
title track leaves the listener on a sublime note of peace and
forgiveness, one that is mirrored in the cover image, hand-drawn by
veteran rock and roll artist Alan Forbes.
Following the release of Bliss, Shane Alexander will tour the United States in summer and return to Europe in late fall 2016.
The
Freedom Machine, the politically-charged new musical, written and
directed by Emmy-winner Larry Carpenter, featuring songs written by
Shane Alexander, is currently in pre-production in Los Angeles.
No comments:
Post a Comment